This time in the brilliance of spectrums glossed:::::::::::::::::::::::::::::::::::::::
clean by all
with Prints
the of
rubbed out corners gold
You have seen what it may look like if you took a photo and felt, possibly by the affliction of taking responsibility, what it looks like to absorb the political of that photo.
It manifests itself differently, if ever to 'you.' Particularly, with the tradition of glossies of the "fascinating otherness," ( A thing not a identity of its own, marked solely by its association with remoteness) A trendiness, bolstering differences, upon the presumption that a reality has been stewarded, honed in-on.
Its a deconstruction to a fallacy that brings only its author to the green-light. Circumstance is the proprieter of the paparazzi of everything and circumstance keeps a developed scene changing.
The process of taking a image as a means of reflections on political realities needs its own mirror. To embrace the non-static fluidity outside of that moment, by returning to that reflection again. A-politicized, a-affective to its subject, quietly considering (A photo of a Photo) to hang, and gallerize again.
